- journalkmc
- Feb 19, 2023
- 2 min read
Updated: Mar 13, 2023
The 18th century witnessed the decline of Delhi and thereafter the consolidation of Awadh as the cultural lodestar. Under the patronage of the Awadhi royalty, various art forms flourished, and so did the Tawaif, the courtesans. They had established themselves as a notable group of women in the years that the Awadh dynasty had Lucknow as its capital city, under the generous patronage of the official elite and royalty. The courtesans commanded great sway and stature in the society and being invited to their salons for cultural soirees was something that elevated one’s status and bestowed prestige. They had gained an influential position in the courts of both Hindu and Muslim rulers before the beginning of displacement of these rulers by the British. Abdul Hamid Sharar constructed a remarkable history of the Nawabs of Awadh. He was of the opinion that the “morals, manners and distinctiveness of Lucknow culture and society were sustained by the courtesans.”
However, these courtesans were subjected to exhaustive social and moral regulation from the
mid-19th century onwards. They faced this by both the colonial state as well as the emerging
Indian middle classes, who hitherto had been excluded from the elite culture. Their sexual and
financial autonomy made them stand in juxtaposition to the conventional notion of a
“respectable woman”. They were deemed immoral, promiscuous and vulgar. What followed was their downfall; and with that, the downfall of the art forms associated with them. “Their lifestyle is resistance rather than a perpetuation of patriarchal values.” As emphasized in this statement, Veena Oldenberg’s research, Lifestyle as Resistance: The Case of the Courtesans of Lucknow, laid stress on how these women did not silently submit to the restrictions placed on them, they rather resisted and rebelled against the new order. Her work has been a pivotal source for this paper.
Thus, this research paper has primarily focused on documenting the systematic erasure of the
identity of the Tawaif, who were once a widely popular and celebrated figure and were seen as repertoire of grace, etiquette, and eloquence of the Awadhi Culture. We have tried to understand the social and economic conditions of these women and the backdrop against which they rose and fell in the social hierarchy. In contemporary texts, the word Tawaif, or courtesan is viewed as derogatory and shrewd. This paper attempts to reduce the negativity around the word and challenge the present notion of these courtesans as public women. This paper also intends to highlight the importance of these women in the consolidation of pre- colonial-era culture and art forms and their contribution to society.
Author: Mantasha Kalam and Akanksha Singh